| MIDNIGHT COWBOY |

Midnight Cowboy
1969, 113 min.
A Jerome Hellman-John Schlesinger Production
United Artists

Cast:
Dustin Hoffman (Ratso Rizzo), Jon Voight (Joe Buck), Sylvia Miles (Cass), John McGiver (Mr. O'Daniel), Brenda Vaccaro (Shirley), Barnard Hughes (Towny), Cast--Texas: Ruth White (Sally Buck), Jennifer Salt (Crazy Annie), Gil Rankin (Woodsy Niles), Gary Owens, T. Tom Marlow (Little Joe), George Eppersen (Ralph), Al Scott (Cafeteria manager), Linda Davis (Mother on the bus), J. T. Masters (Old cowhand), Arlene Reeder (Old lady), Cast--New York: Georgann Johnson (Rich lady), Jonathan Kramer (Jackie), Anthony Holland (TV Bishop), Bob Balaban (Young student), Jan Tice (Freaked-out lady), Paul Benjamin (Bartender), Peter Scalia, Vito Siracusa (Vegetable grocers), Peter Zamaglias (Hat shop owner), Arthur Anderson (Hotel clerk), Tina Scala, Alma Felix (Laundromat ladies), Richard Clarke (Escort service man), Ann Thomas (Frantic lady), Cast--Party: Viva (Gretel McAlbertson), Gastone Rossilli (Hansel McAlbertson), Ultra Violet, Paul Jabara, International Velvet, William Dorr, Cecelia Lipson, Taylor Mead, Paul Morrissey, Paul Jasmin (Guests), Cast--Florida: Joan Murphy (Waitress), and Al Stetson (Bus driver)

Crew:
Prod Jerome Hellman; Dir John Schlesinger; Scr Waldo Salt; Dir of photog Adam Holender (De Luxe); Music supv. John Barry; Editors Hugh A. Robertson, Jr., Edward Rothkowitz, Leonard Saltzberg, Richard Cirincione ; Prod Des John Robert Lloyd; Set dec Philip Smith; Makeup Irving Buchman

Genre: Drama

Summary: Restless and dissatisfied with his life as a dishwasher in a small Texas town, young Joe Buck outfits himself in a flashy cowboy outfit and heads for New York City, confident that his fortune will be made by selling himself to wealthy, sex-starved Manhattan women. While traveling by bus, he recalls some of the events of his childhood--the father who abandoned his wayward mother, the endless stream of men who visited his frisky grandmother Sally, and a series of sexual encounters during adolescence, including a gang rape of both Joe and his girl friend Annie. After checking into a seedy Manhattan hotel, Joe takes to the streets and eventually picks up Cass, a rich, coarse, middle-aged blonde. Although they make love in her East Side apartment, Joe not only fails to collect a fee but ends up giving her $20 for cab fare. Later, at a cheap Broadway bar, Joe meets Ratso Rizzo, a crippled, tubercular petty thief and con artist who volunteers to work as his pimp and manager. Although the two misfits have a falling out when Ratso sends Joe to the sleazy room of Mr. O'Daniel, a homosexual religious fanatic, they patch up their differences and agree to share Ratso's dismally cold room in a condemned building. Almost in spite of themselves, their mutual loneliness leads to genuine friendship as Ratso shares with Joe his fantasy of someday living a life of luxury in Miami Beach. Economically, their partnership meets with little success, since Joe's typical "conquests" turn out to be as unprofitable as his encounter with a timid student to whom he gives himself in a 42nd street theater balcony, only to discover that the boy cannot pay. Things pick up a little when Joe meets Shirley, a chic swinger at an underground party in Greenwich Village, and earns $20 for spending a wild night with her. By now, however, winter has taken its toll on Ratso, and he can no longer walk. Determined to get the bus fare to take his friend to Florida, Joe brutally beats up an aging homosexual in a hotel room and steals his money. Ratso manages to stumble onto the bus, but he dies as they reach Miami. Facing an uncertain future, Joe Buck puts his arm around the dead body of the only true friend he ever had.— AFI Catalog of Feature Films